Tributes - 2000

Hoyt Curtin

 

Television composer. Born Downey, California, 1922. Died Thousand Oaks, California, December 3, 2000, aged 78.

If judged by the amount of times his songs are heard, or the number of people who can happily sing along to their every line, Hoyt Curtin must surely count as one of America's more successful composers. Though he never composed a top 10 hit, many of his catchy tunes will easily bring smiles to several generations of people, who can easily recall the theme songs to Hanna-Barbera cartoon series. His theme for The Jetsons, despite its simplistic lyrics ("Meet George Jetson ... Jane his wife"), is a favourite TV jingle. His melody for the "bubblegum" cartoon "Cattanooga Cats" ("Chub-a-duh, chub-a-duh, sing chub-a-duh") wins instant recognition, even if the series itself usually doesn't. But his best-known song, which revealed him as a gifted tunesmith, was the enjoyable theme to "The Flintstones" ("When you're with the Flintstones, have a yabba-dabba-doo time, a dabba-doo time, we'll have a gay old time"), which introduced "the modern, Stone-Age family" for seven years - and helped make the series one of the "coolest" prime-time series of the sixties.

``Few people will ever have the chance to work with a true genius," said Joseph Barbera, one of his producers (and lyricists), in a statement after Curtin's death. "All of us at Hanna-Barbera who worked with Hoyt are among those few. I hope is still writing sweet music wherever he is."

Whether or not he was a genius, Curtin was certainly a prodigy, playing the piano at five and composing from his early childhood. By his ninth grade, he had his own school orchestra. To nobody's surprise, he went on to study music at the University of Southern California.

His style leaned more towards popular ditties than symphonies, and he began his career writing advertising jingles, occasionally composing music for early (and obscure) television series like "Lost Women of Zarpa" (1953) and "Jail Bait" (1954). However, he found his true niche in 1957, when Barbera and William Hanna, already known for their cinema cartoons, began their long stint on television with "The Ruff and Reddy Show". Curtin was employed as music director for their new television cartoon studio, a position he would keep until 1990.

Curtin headed a company of songwriters, Soundtrack Music, that churned out both theme songs and incidental music for most of Hanna-Barbera's cartoons, from the rock ditties of "Top Cat" and "Scooby Doo, Where are You?" to the instrumental adventure themes of "Jonny Quest" and "Superfriends". Like Edison's invention workshop, it is not always clear who composed which tune, but most were scored by Curtin, with Hanna and Barbera writing most of the lyrics.

Curtin was behind the carnival-style theme song of "Huckleberry Hound" (1958), the first cartoon to win an Emmy Award. Two years later, he hurriedly wrote the theme tune to "The Flintstones", in a panic because production was behind schedule. "It's a catchy little tune," he said in a 1994 interview. "Just a simple thing arranged for jazz and singers." (It would later be covered by numerous jazz musicians, including the legendary pianist Monty Alexander.)

The Flintstones was easily Hanna-Barbera's most popular series, becoming the first (and until "The Simpsons", the longest-running) cartoon series made for prime-time television. Its popularity has never ceased; now in syndication, it is estimated that not a minute goes by when it is not being shown somewhere in the world.

For Curtin - and for TV cartoons in general - it also marked a change in theme songs, from children's jingles to danceable, hit-parade style songs. This would be especially fitting some years later, as cartoon producers attempted to draw teenage audiences with numerous shows about rock bands. Hanna-Barbera was happy to join this trend, and Curtin found himself writing the theme songs (and other pop songs) for "The Cattanooga Cats" (1969) and "Josie and the Pussycats" (1970), the latter performed by a young singer named Cherie Moore. (Later, Moore would take up acting and change her name to Cheryl Ladd.)

More opportunities followed for pop music, the concepts becoming gradually more ridiculous. "Butch Cassidy and the Sundance Kids" (1973) was about a group of teenage Federal agents (ex-Monkee Mickey Dolenz was among the voices), working undercover as a rock band. ("Travelling around all over the world, solving every mystery".) The next year, Curtin even worked on "The Partridge Family, 2200 A.D.", a futuristic cartoon based on the musical sitcom.

"Hoyt was the king of jingle-making," says Jean MacCurdy, president of Warner Bros. Animation (now Hanna-Barbera's parent company). "His strong suit was coming up with the themes that almost anyone on the street could sing at the drop of a hat. He was really quite remarkable." Even as the cartoons changed, becoming glossier and less innocent, he adapted his music to suit them: "Battle of the Planets" (1978), "Captain Caveman" (1980), "GoBots" (1986). He even wrote songs for the Simpsons' 1999 album "Go Simpsonic".

Just before he died, he won the prestigious Winsor McCay award for lifetime achievement from the International Animated Film Society. His music is still being heard regularly, and is likely to be heard even more in the near future, with big-screen versions of "Scooby-Doo" and "Josie and the Pussycats" in production.

He is survived by his wife Elizabeth, a son and daughter-in-law, and three grandchildren.

 
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