Movie Reviews
102 Dalmatians
26 Dec 2000
Emily Hunt is hidden in the credits of "102 Dalmatians",
but she deserves special mention. Obviously, this movie follows
"101 Dalmatians", Disney's "live-action"
remake that actually won more fame for its animation than
anything else, with scores of digitally choreographed puppies.
This time the effects team is still working wonders, but if
there was an Oscar for animal training, Hunt and her team
(even lower in the credits) would certainly win.
As before, the canine stars do the hard work, while the less
intelligent human characters take a back seat. The exception
is Glenn Close, back as the wicked Cruella De Vil, the OTHER
best thing about the previous movie, still overacting as a
manic send-up of all the villains she has portrayed. In the
early moments, Cruella is released from prison, reformed through
heavy psychiatric treatment into a sweet dog-lover with a
violent aversion to furs. The effect doesn't last, of course,
and soon she is back to her old self, joining forces with
an equally nasty furrier (Gerard Depardieu), in a plan to
make herself a HOODED dalmatian coat. (Hence the extra dalmatian
- look, they needed an excuse for one of the title change.)
Happily, this is more than simply a rehash of "101 Dalmatians",
thanks partly to a new director (Kevin Lima, rather than the
ubiquitous John Hughes) and new writers (led by Kristen Buckley
and Brian Regan). Apart from Close, Tim McInerney is the only
actor to return from the previous film, with his role (as
Cruella's servant, Alonzo) expanded. Ioan Gruffudd and Alice
Evans play the nice but somewhat ineffectual good guys. Not
that it matters. Once again, Close steals the film from the
other humans, and the only real competition from the animals
is from a loud-mouthed parrot (voiced by Eric Idle), who thinks
he's a rottweiller.
It all leads to a finale of violent slapstick. Cruella, of
course, is given a suitably humiliating fate. Her punishment
would be fatal in the real world, but at the session I attended,
both kids and adults were in stitches. Even with all the animal
training, and without so much computer animation, this is
still not far removed from a cartoon.
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